By
Beth Taylor-Schott
Visions
At the Easton Gallery. Shows through November 26.
There is a certain implicit painterly code among plein air practitioners. It states, in effect, “I was standing in front of this as I painted it. Although you can see the brushwork at times, I have striven to capture the light just as it fell on my subject, just as it would have fallen onto your retina if you had been standing where I stood.” In her show Visions, now at the Easton Gallery through November 26, Phoebe Brunner shows that although she is familiar with this code, and even fluent in it, she is happiest violating it.