Looking IN at the Life and Work of Hank Pitcher

Hank Pitcher in his studio. | Credit: Ingrid Bostrom

Since I wrote a cover story about Hank Pitcher in 2017, one of the richest experiences of my life in Santa Barbara has unfolded — perhaps more satisfying than anything I’ve ever experienced during my tenure in our beloved city. I regularly show up to Hank’s studio to admire his work, but primarily to talk about art. The conversations are never small talk — we often pick up where we left off, doing deep dives about art, literature, and film, and that’s why I cherish them. 

Many martinis are consumed. We speak about the influences in our lives: the movies we love, the disappointments and successes. Every time I have walked into his studio, I have been taken aback by the maturity, the continuous searching, and the boundless curiosity of this artist, who is undeniably our greatest in Santa Barbara. He is a giant. And yet I have seen vulnerable sides to him — times where insecurity creeps in — and that makes him oh-so human and even more magnificent. He’s an artist through and through — and Santa Barbara has been his muse. His other muse has been the love of his life — his wife, Susan Pitcher. Susan and Santa Barbara to him are one and the same. Both represent his home and earn his everlasting devotion.

Yet nothing prepared me for what I saw when I showed up to Hank Pitcher’s studio on December 12, 2024. I had read that throughout history, painters have created their best work well into their seventies and eighties — e.g., Matisse, Picasso, and Georgia O’Keeffe. I’m a big fan of Claude Monet, and I have visited his studio in Giverny where, at an advanced age, he painted his masterpieces from his garden — the water lilies. These artists became more introspective and daring with age. An accumulation of life experience combined with a confidence in their craft and an empowering way of expression led to greater insight and product.

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